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How Prince Introduced Us to the “Minneapolis Sound”

From Polka to Punk-Funk, the Twin Cities Assimilated New Genres From Their Migrant Roots

A mural commemorating Prince in Minneapolis' uptown neighborhood. The city's unique demographics were as important as the pop virtuoso's genius in shaping his music. Photo by Jim Mone/Associated Press.

By Rashad Shabazz
September 7, 2017

The pop music genius Prince Rogers Nelson, better known to most of us as Prince, made his national television debut on American Bandstand in 1980. Performing “I Wanna Be Your Lover,” his first big hit in the United States, he gave the country its first taste of the Minneapolis Sound, an infectious blend of rock, R&B, funk, and New Wave that would become a significant force in American pop music during the 1980s, ’90s, and early 2000s. An astounded Dick …

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Identities

How Alpine Yodeling Mutated Into American Blackface Minstrelry

Vestiges of the Racist Entertainment Persist in Art and Politics

foster-figure-1

By Daniel H. Foster and Anne Bramley
December 27, 2016

In 1822 the Austrian emperor Franz I and his ally Tsar Alexander I of Russia held a meeting in a remote valley of the war-torn Tyrolese Alps. They were entertained by the Rainers, a locally renowned family of singing farmers. When the visiting dignitaries heard the improvisational simplicity of the family’s performance of native Alpine songs, they encouraged the four Rainer brothers and their sister to leave the war behind and take their homegrown mountain show on the road.  …

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Encounters

Why We Keep Rediscovering the Flamboyant Godmother of Rock

Sister Rosetta Tharpe Was Buried in an Unmarked Grave, But Now She’s a YouTube Sensation

Sister Rosetta Tharpe, guitar-playing American gospel singer, gives an inpromptu performance in a lounge at London Airport, following her arrival from New York on November 21, 1957. (AP Photo)

By Gayle Wald
February 5, 2016

More than 40 years after her burial in an unmarked Philadelphia grave, Sister Rosetta Tharpe, gospel’s first superstar and its most celebrated crossover figure, is enjoying a burst of Internet celebrity. A video of her playing one of her signature tunes, “Didn’t It Rain,” from a 1964 TV special filmed for British television has been racking up more than 10 million views on YouTube and Facebook. Old and new fans the world over, dazzled by Tharpe’s powerful singing and wildly …

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Ideas

Have We Turned the Last Page in America’s Songbook?

Tracing the Great Songwriting Tradition, From Cole Porter to Joni Mitchell

Have We Turned the Last Page in America's Songbook?

By Ben Yagoda
June 12, 2015

The Great American Songbook isn’t really a book. Rather, it’s a notional collection of several hundred pop songs. The precise identity of the songs varies according to who is doing the collecting, but in almost all versions the bulk of them were composed, starting in the 1920s, by a small (almost all male) group of composers and lyricists including George and Ira Gershwin, Cole Porter, Irving Berlin, Richard Rodgers (teaming first with Lorenz Hart and later with Oscar Hammerstein, II), …

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Artifacts

The Electric Guitar’s Long, Strange Trip

From Its Gentle 16th-Century Acoustic Origins to the Souped-Up ‘Frankenstein’

Frankenstein, Van Halen, electric guitar, Frank 2

By Monica M. Smith
February 10, 2015

I remember the first time I saw Eddie Van Halen on MTV, the way he played two hands on the fingerboard during his short “Jump” guitar solo. I loved his cool “Frankenstein” guitar, so named because he cobbled together a variety of guitar parts and decorated his creation with colored tape and paint. Even as a 13-year-old who grew up primarily listening to, and playing, classical music, I felt compelled to run out and buy his band’s “1984” LP at …

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Encounters

Creating a Mexican-Afro-Cuban-American Beat

The Rhythms I Play and Dance Collided on the American Continent—Then I Made Them My Own

shoes, Martha Gonzalez, Quetzal, fandango, tarima, zapateado, stomp box

By Martha Gonzalez
December 5, 2014

The annual Smithsonian Folklife Festival was in full bloom on the National Mall in Washington, D.C. in late June. Audiences flocked to different stages and exhibits that shared the finest music cultures in the world. As I approached the workers’ trailer, I knew it was the last time I would hold my tarima (stomp box) and old zapateado shoes. I’d participated with my band Quetzal in a moving tribute concert to legendary folk singer Pete Seeger the previous evening, and …

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